A spontaneous personal project capturing attendees at my 40th birthday celebration, created with a heavily modified Polaroid Big Shot instant film camera and Fujifilm FP-100 Peel-Apart film, now out of production. These images showcase friends from my life in Shanghai, many of whom have been influential in shaping both my personal experiences and professional path over the past decade in Shanghai and across China. They not only serve as cherished memories of that special day but also, through a classic photographic and portraiture "typology" (The Study of Types) approach, offer a glimpse into the vibrant community in Shanghai at that time.
The Polaroid Big Shot is a dedicated, sturdy instant camera made just for close-up portraits, produced between 1971 and 1973. It became famous as the favourite tool of artist Andy Warhol, who used it to photograph countless socialites and celebrities. The camera has a fixed focus at about one metre, so it’s perfect for head-and-shoulders portraits. Because the focus doesn't adjust, you need to gently move back and forth until the split-image rangefinder lines up just right—a movement playfully nicknamed the "Big Shot Shuffle." It’s equipped with a 220mm plastic lens with a tiny fixed aperture (f/29), which gives a beautifully deep depth of field but means you’ll need a flash with each shot. For this purpose, the camera uses disposable Magicubes, which are mechanically fired flashbulbs that sit on top of the camera. A large Fresnel lens focuses the light, giving that unmistakable "Warhol look" with bright, flattened skin tones. The Big Shot looks quite large, is made of sturdy plastic, and has a T-strap handle on the back to help pull the film out smoothly. Originally, it used peel-apart film, but that’s no longer available. You can find expired Polaroid Type 100 and Fujifilm FP-100C, though they tend to be quite pricey (often over $100 a pack). Many users now convert the camera to use modern Instax Wide film by 3D-printing new backs or using adapters, so it stays useful without relying on old, expired film.